Toutes peintures ā l'huile d'Karel Dujardin


ID Image Painting(From A to Z)    Details 
1018  
Karel Dujardin, A Party of Charlatans in an Italian Landscape
 
 A Party of Charlatans in an Italian Landscape   1657 Musee du Louvre, Paris
20437  
Karel Dujardin, A Party of Charlatans in an Italian Landscape (mk05)
 
 A Party of Charlatans in an Italian Landscape (mk05)   1657 Canvas,17 1/2 x 20 1/2''(45 x 52 cm)Collection of Louis XIV;acquired in 1783 INV
86598  
Karel Dujardin, Allegory
 
 Allegory   1663(1663) Medium Oil on canvas cyf
69153  
Karel Dujardin, bondflicka mjolkande en ko
 
 bondflicka mjolkande en ko   olja på duk 66x59 se
85568  
Karel Dujardin, Italian Landscape with Herdsman and a Piebald Horse
 
 Italian Landscape with Herdsman and a Piebald Horse   Date c. 1675(1675) Medium Oil on wood Dimensions Height: 32 cm (12.6 in). Width: 27 cm (10.6 in). cjr
89654  
Karel Dujardin, Italian Landscape with Herdsman and a Piebald Horse
 
 Italian Landscape with Herdsman and a Piebald Horse   1675(1675) Medium oil on panel cyf
92775  
Karel Dujardin, Le bocage
 
 Le bocage   between 1655(1655) and 1656(1656) Medium oil on canvas Dimensions Height: 52 cm (20.5 in). Width: 43 cm (16.9 in). cjr
92839  
Karel Dujardin, Portrait of a man, possibly Jacob de Graeff
 
 Portrait of a man, possibly Jacob de Graeff   1670(1670) Medium oil on canvas Dimensions Height: 130.5 cm (51.4 in). Width: 106 cm (41.7 in). cjr
43149  
Karel Dujardin, Portrait of a Young Man
 
 Portrait of a Young Man   mk170 circa 1655 Oil on canvas 62x52.5cm
91236  
Karel Dujardin, Rast vor einem italienischen Wirtshaus
 
 Rast vor einem italienischen Wirtshaus   mid 17th century Medium oil on canvas Dimensions 80 x 88 cm cjr
40952  
Karel Dujardin, Sheep and goats
 
 Sheep and goats   mk158 1673
81004  
Karel Dujardin, Southern landscape with young shepherd and dog
 
 Southern landscape with young shepherd and dog   Date x 1660-1665 (1641-1678) Medium Oil on panel Dimensions 31.2 x 37.6 cm (12.3 x 14.8 in) cyf
81423  
Karel Dujardin, Southern landscape with young shepherd and dog
 
 Southern landscape with young shepherd and dog   Date ca. 1660-1665 (1641-1678) Medium Oil on panel cyf
77769  
Karel Dujardin, Southern landscape with young shepherd and dog.
 
 Southern landscape with young shepherd and dog.   1660-1665 (1641-1678) Oil on panel 31.2 ?? 37.6 cm (12.3 ?? 14.8 in) cjr
92425  
Karel Dujardin, St Paul Healing the Cripple at Lystra.
 
 St Paul Healing the Cripple at Lystra.   1663(1663) Medium oil on canvas Dimensions Height: 179 cm (70.5 in). Width: 139 cm (54.7 in). cjr
1019  
Karel Dujardin, Tale of the Soldier
 
 Tale of the Soldier   Yale University Art Gallery
1015  
Karel Dujardin, The Flood
 
 The Flood   1660
20441  
Karel Dujardin, The Pasture Horses Cows and Sheep in a Meadow with Trees (mk05)
 
 The Pasture Horses Cows and Sheep in a Meadow with Trees (mk05)   Canvas,20 1/2 x 18 1/2''(52 x 47 cm)Collection of Louis XIV;acquired in 1784
1016  
Karel Dujardin, Woman Milking a Red Cow
 
 Woman Milking a Red Cow   National Museum, Stockholm

Karel Dujardin
1621-1678 Dutch Karel Dujardin Locations Dujardin was born in Amsterdam in 1640. After training with Nicolaes Berchem, he went to Italy when young, and became a member of the Society of Painters at Rome, among whom, he was known as Barba di Becco. In Rome, his works met with general approbation. According to some sources, on his way back to his native country, he contracted considerable debts at Lyon, to free himself from which, he married his old and rich landlady. He went with her to Amsterdam, where his pictures were valued very highly. He soon secretly left his home in that city, probably from dislike of his wife, and went back to Rome in 1675, where he was welcomed by his old friends and admirers, and lived at great expense. After a vist to Tangier he went to Venice, where he died in 1678. Most of his paintings are cabinet paintings of Italianate landscapes and or with farm animals and peasants. His landscapes have spirit and harmony, his figures expression, and his colour the brilliancy which distinguishes his school. His paintings are rare and command a high price. He also published fifty-two etchings of simiar subjects, with great spirit and ease. He painted a single, fine, portrait (probably a self-portrait), and a pair of Baroque religious paintings on the life of St Paul, probably commissioned, as they lie well outside his normal style. One of these, and the portrait, are in the National Gallery, London



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